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Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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It's like you watched a movie about War Machine and said, "I suppose it could have been about Iron Man, but he wasn't in the military and was really just a rich playboy. I mean, sure he was a brilliant genius who made the suit, but he's so vain and his interactions with James Rhodes just don't warrant making a movie about him." TM |
Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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TM |
Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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In the remaining time to set up who he was would be tough. Setting the white guy up as a conflicted racist is pretty simple and quick- my family is Italian borderline mafia and they cannot believe I'm driving a black guy. There certainly should have been something more about the piano player. I keep saying that, I kept thinking "wait, where does he get this trait?" But he seems very complicated and I'm not sure they could have fully fleshed that out without making a longer, very long movie. Did you see the white text spoiler? |
Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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You can't present as evidence parts of a movie in which the black character is not the main character to make your argument that the story would fail with him in the lead, because you necessarily won't have the material that non-lead character would need to be the movie's lead. TM |
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All I said was that MAYBE the main character choice was driven by how odd/complex the piano player was, and how it would appear that switching it up would be perhaps challenging. I'm not trying to PROVE anything other than that. I agree he seems a fascinating character, and I might actually go see a movie about him. I suspect that movie would be at an art house, not a multiplex. I invited the people who say the movie SHOULD have been different to provide evidence of how you could back fill in his life in a short period of time. I ain't got the burden. If you say the movie SHOULD have been different you got the burden. |
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http://www.boweryboyshistory.com/wp-...f77282de87.jpg https://thejesuitpost.org/wp-content...can-Ganges.png https://thejesuitpost.org/wp-content...07/schools.pnge |
But, Virginia they didn’t give you quite enough information.
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Anti-Catholicism in America predates the Consitution by a good 100 years - the William and Mary had colonial support during the Glorious Revolution, and Royal governors appointed by James II were suspected of being closer Papists and were ousted with glee. |
Arthur, he does as he pleases.
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And Flower nails it. |
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Ok, I’m done.
My God. I have become Wonk. Fringey warned me this could happen.
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Re: Ok, I’m done.
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Re: But, Virginia they didn’t give you quite enough information.
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Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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May he leave his money to the LLS . |
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The supporting character was a musician and a gay black man trying to navigate The Fucking South in the '60s. The white guy was a lout who drove his car. As far as I'm concerned, all the evidence you need is in front of your face. You counter with, "But the movie I saw has limited back story, interaction, evidence that the supporting character could be the lead." I say, "That's because in the movie he isn't the lead." You demand more evidence. "No mas" is right. TM |
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TM |
Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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TM |
Re: Doesn’t Matter Who Wins the K Race; We’re All the Same
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I want to see it. It's weird, though. The reactions have been all over the place, like with Vice. That one I don't think I'll watch. I've had enough of Dick Cheney for two lifetimes. TM |
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TM |
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BlacKKKlansman, by contrast, felt somewhat stale to me, establishment. What happened to Spike Lee? The message of the movie is that the face of racism is a few back-country hicks, and that if you can get the police department to hire a black and a Jew then they will get the job done. Black activists like the female lead need to just trust the cops. The tidy ending to the internal PD conflict was completely wrong. Do The Right Thing Ends shows you a cop killing Radio Raheem, with no justice. In BlacKKKlansman the racist cop does his thing earlier, and the rest of the cops take care of him in the end -- seriously, a fantasy Hollywood ending. In contrast, Lee doesn't do anything with the mysterious higher-ups who tell the police chief to close the investigation and destroy the files. The movie has no reckoning with systemic racism -- it's view is that racists are a relatively small number of pathological bad guys who the system can get rid of. In that context, the tacked-on documentary footage at the end seems to suggest that there are just more of them now. If the problem with the Green Book is that it tells a heroic story about racism from a white perspective, the problem with BlacKKKlansman is that it tells a heroic story about racism with a black hero that turns racism into the exception, not the societal rule. If you want a movie that white people can go to confirm their (self-serving) belief that racism is not them, it's a few hicks with guns with hoods, there's your movie. It's an up-to-date feel-good movie about racism. eta: And seriously, what happened to Spike Lee? I turned on Fresh Air a few weeks ago and Terry Gross was interviewing someone who was telling clicheed, uninteresting stories about visiting his relatives in the South as a kid, and turned out to be Spike Lee. |
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Anyhoo, I think it is a movie about a racist, not a racist movie. But I had never thought of the white savior thing about it- but damn- Gran Torino isn't just a white [s]avior movie; it's an actual SAVIOR movie. He is a full blown Christ figure. |
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(Wonking seems to be the new standard here). |
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TM |
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Bring me sushi, and some gin, gig serf
“An unkind summary, then, of the past half decade of the consumer internet: Venture capitalists have subsidized the creation of platforms for low-paying work that deliver on-demand servant services to rich people, while subjecting all parties to increased surveillance.”
https://www.theatlantic.com/technolo...panies/584236/ |
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