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 You don't see that sort embrace of issues when it comes to race, though, of course, there are some exceptions. And lord knows, you don't see it THAT often with women, especially women of color. (Check out the fight between Jezebel and The Daily Show. ) I think it's totally possible for a writer to create a world and characters outside his or her own personal experience. But I think also that being comfortable with the kinds of people that the writer writes about is critical. And then, the writer needs to shove away nagging doubts and just write. Some people will love the perspective, some people will hate it, and some will be offended. Check out discussions about The Help, a novel written by a white woman about the relationship between black domestic workers and white employers in the south in the 60s. The criticism ranges to overwhelming praise to outright anger. | 
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 But every black writer I've ever read (that I can think of now) can create compelling white characters. Maybe it's a white problem, not a race problem. | 
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 Louie is the new show on FX by Louis CK the comedian, who I have seen in person and it is cringe inducingly funny. | 
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 That said, why the hell would he go back to Cleveland, who has done nothing besides fire their coach? That team is fucking awful. Take away Lebron and you have last year's Nets. Best immediate situation is to go to Chicago and have them sign Boozer. I don't think it's ideal and I can't imagine he'd want to spend the rest of his career trying to live in Jordan's over-sized shoes, but if I were him, I'd prefer that to Miami. If he was truly smart, he'd sign with the Knicks and convince Paul to come over after the 2010 season (when Paul can decline his player option). That would be the absolute best situation for him. And that team would have the best balance of any. I don't think he's going to sign with the Knicks, though. TM | 
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 But Jesus H, the level of white-guilt it has prompted is ridiculous. I will summarize: White people are bad. White writers cannot make interesting black characters. And no one on this board has ever watched The Wire. | 
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 ETA: I did not see Sidd's post before posting. :D | 
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 Like a frightened turtle. What's interesting is watching old episodes and discovering all the times Larry David used himself to be the voice of a character (not just Steinbrenner). Wait. I guess that's not that interesting. TM | 
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 On TV, I think it's the industry (see atticus). In novels, I think it's something else. | 
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 http://blogs.citypages.com/gimmenois...es_uk_inte.php | 
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 The obvious rebuttal is that so much black and hispanic culture permeates American culture that whites have that knowledge, but that ain't true. It's that two-dimensional understanding that survives. If I were a white guy writing a tv show or movie and wanted an authentic black character, I would hire an actor who could contribute meaningfully and incorporate his ideas. It's not like white writers and directors can't do it. The Wire and Treme are perfect examples of shows in which white people have actually learned (by submersion) black culture and have their characters speak and act authentically. TM | 
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 Re: The thread where Spring has sprung, and Penske has risen from the law. Word! http://www.nydailynews.com/gossip/20..._my_child.html I love Dina Manzo. she is very pretty and Danielle Staub is EVIL. damn. I've been to the brownstone. Caroline's husband waved to my daughter. | 
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 TM | 
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 TM | 
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 Re: The thread where Spring has sprung, and Penske has risen from the law. Word! Quote: 
 Thanks LeBron for giving me yet another reason to hate the NBA. | 
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 Re: The thread where Spring has sprung, and Penske has risen from the law. Word! Quote: 
 They'll mix in a bunch of highlights, some stories about his upbringing, with a focus on his Ohio roots if he's staying, a couple of pieces with him doing some charitable work (i.e., giving some hoops pointers to kids on a dusty playground), an interview with his mom, and finishing with an interview with him where the first 5 minutes are discussing all the emotions, an announcement of where he's going, followed by a few minutes of follow-up questions of "why ____?" | 
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 I think what I find the most offensive is NY has so many immigrant asians, that white people assume "they know" asians and that we're all "like" their nail technicians, or we own a dry cleaner or a deli. and that's just BS I probably have more edumacation than they do. and make more money. What is truly offensive is my own people the non-assimilated asians snub the assimilated ones. They view it as selling out that you're married to a white guy or you speak perfect english. or go bleached blonde. that was the big fuck you. if you can't beat em, join em. | 
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 So white folks can "choose" not to engage with black folks and Hispanic folks, but the costs of that choice have risen exponentially, and not all of it has risen by government fiat, which is pretty cool. | 
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 By the way, speaking about being happy, is it a bad sign that I am officially obsessed with House? I'm working my way through the early seasons. What a brilliant show and character. TM | 
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 Well, you know, I might miss a cool highlight or something. | 
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 That said, I'm not sure there is much reason to care whether white writers are writing novels with convincing minority characters, as long as minority authors are getting published (and writing characters from their communities). As the work of a single creator, I think its a bit much to expect authors to strive for diversity for its own sake. The same excuses, however, do not apply to the collaborative productions of tv and movies. | 
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 My life is significantly more homogenous than it was when I lived in NYC -- my burb is overwhelmingly white and if I go to my home town, it is almost entirely white. I think it would be pretty easy to find places across the country that would minimize or eliminate the need to interact with people of color -- you'd just have to stay out of the South and cities. | 
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