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Re: The Wire
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And I apologize in advance for bragging, because of course, for me to have estimated her intelligence required me to be at a somewhat higher level. Still, I do believe my seconding gwnc statement made my boast a necessary evil. |
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Probably cowering in the corner and fearing my wrath. Just you wait, GGG! |
Re: Stuck on Repeats
I think we should incorporate lawtalkers, then convince facebook we are a real threat http://money.cnn.com/2012/04/09/tech....htm?hpt=hp_t1
to pull this off we'll need someone in charge of recruiting newbers who isn't socially pernicious, and Thurgreed, you need to quit trying to run people off. Page hits: that'll make us the big bucks. |
Re: The Wire
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This one, not so much. ETA: I will admit that Gwink should hate me for the horrible grammar, though. |
Re: Stuck on Repeats
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I, however, do not own any equity, so I will continue to be my repellent self until someone pays me off to go away. |
Re: The Wire
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What I specifically dislike is when a recording artist says "You can't use my song." Yes, it's nothing more than free speech to the effect of "I hate you," which is fine. I'd prefer the artist to say "That guy's an asshole and I'm not voting for him." You might respond that "Don't use my song" is toothless (and it is), but the public is less aware of that than you might want to believe, and the candidate actually faces a ridiculous choice between complying with a legally baseless moral demand or creating a sideshow that detracts from the policy debate. The artist has commandeered another guy's campaign for publicity. When I hate the candidate my first thought is "Yay, good" but the more I've thought about it, the more it's a ridiculous privileging of one person's views over another. We don't let other kinds of artists make moral claims over the use of their works they've sold for cash. (Actually, in limited instances we do, but those rights are narrow and usually involve giving the artist the right to take the work back out of the stream of commerce and doesn't let them pick and choose who gets to use it.) Copyright is the tool we use in lieu of moral right, and that's good because free speech rights were never supposed to be about the right of the speaker to be heard, but about the listeners' right to hear. So if Romney wants to play "We Take Care of Our Own" at a rally, the listeners should decide whether they're inspired or persuaded. Springsteen saying "He's doing that over my objection" adds nothing to the discourse -- it only subtracts from it, by claiming the song can't mean what Romney stands for. I don't think the artist should get to decide that point with any greater authority than the listener can, which is why it pisses me off when an artist even says "You can't use my songs." It just drags everybody into a world of heckers' vetos. We'll have typeface designers holding press conferences to distance their works from hated users. Or maybe Apple will publish a website of all people who they wish wouldn't buy and use Apples. It's horseshit. Say how you'll vote and see if people care, but claiming a monopoly on how and where your art is interpreted and used, aside from copyright law, is net bad for discourse. |
Re: The Wire
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Frankly, if I were an active recording artist, I'd probably make the same request of any campaign, whether I liked them or not, because (1) I want the broadest possible audience and thus don't want to be foreclosed to those who dislike the candidate, and (2) I get press for making the request. Quote:
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If the campaign was instead showing clips of Snow White, my benighted understanding of the law says Disney would have every right to demand they cease and desist. Quote:
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Btw, you realize that there's a pretty easy way for campaigns to avoid this situation, right? |
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The discourse is all about words coming out of Springsteen's mouth, some of which he even wrote. Saying, those words don't mean what you think they mean, seems to me to add much to the discourse. This is no where near as recockulous as your state's right of personality law. Now, that is just crazy. |
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